“It’s a Combination of Films and People”: A Look into Ania Trzebiatowska’s Community-Building Vision for Sands: International Film Festival of St Andrews ST.ART Magazine17 April 2024Comment
Angelwood Studio’s “The Ridge Grave Girls”: The Creative and Impactful Inner Workings of a Film by University Of St. Andrews Students ST.ART Magazine7 April 2024Comment
Echoes of Life: Miyazaki's and Yoshino's Philosophical Lessons in 'The Boy and the Heron' and 'How Do You Live?' ST.ART Magazine28 March 2024Comment
‘Dune: Part Two’ – A Cinematic Odyssey Through Geopolitics and Identity ST.ART Magazine28 March 2024Comment
A Journey through Shinkai's Anime Universe: Exploring Everyday Life, Confronting Disasters, and Discovering Hope from 'Your Name' to 'Suzume' ST.ART Magazine22 January 2024Comment
The Films of Hayao Miyazaki: Unlikely Heroes in Magical Worlds ST.ART Magazine21 November 2023Comment
Trapped in a Self-Made Bubble: The Lens of Modernity in Wong Kar-wai’s 'Fallen Angels' ST.ART Magazine21 November 2023Comment
Bare Feet on Cold Walls With the Bedside Table as Your Only Friend: Melancholy and Loneliness in the Films of Chantal Akerman ST.ART Magazine11 October 2023Comment
Strong Dependent Women: The Feminist Readings of 'Queen Charlotte: A Bridgerton Story' ST.ART Magazine1 October 2023Comment